>> Mario Biondi
bio: English: The background Finally to be released the debut album by Mario Biondi, “Handful of Soul”. You will be surprised by this singer’s deep and warm voice. It recalls the great interpreters soul and rhythm’n’blues music. Many will think of a black singer. Whereas Mario and Sicilian from Catania. Certainly he’s capable of expressing his Soul when singing. After the first collaboration between Schema, Mario Biondi and the producer Alessandro Magnanini, which brought in 2004 to the release of Was-A-Bee’s single “This Is What You Are / On A Clear Day”, “Handful of Soul” is an album ranging between Jazz and Soul. The result is in this very enticing music release, whose sound swings from smooth vocal melodies to rhythmic tracks to dance to. Mario and the tracks Assembling a repertoire in accordance with his voice did not prove an easy task. The aim was to find pieces that did not change the nature of his voice, which could highlight the deepness of his tone, yet in the same time would still be able to represent the artistic direction and the music lead followed by Schema records. The love for Rhythm & Blues and Soul, the styles of music mostly appreciated by Mario, took him to listen to a certain music repertoire, in particular some of the most representative related artists (Earth Wind & Fire, Donny Hattaway. Billy Paul, Luther Vandross, Lou Rawls, Aretha Franklin, Eryka Badu, Will Dowing……). When the producer and Mario decided together the repertoire to be performed, Mario doubted he might be able to reproduce stylistically songs of the classic American repertoire such as “Slow Hot Wind” and “On A Clear Day”, or even “A Handful Of Soul”. The result instead can be stunning to most. In this album, not only he delivers a very convincing interpretation but his voice adds a different colour to the music in “Slow Hot Wind” as well as in “A handful of Soul”. The feel-good sensation spread in “On A Clear Day(..)” is certainly enhanced by the deep husky voice of the interpreter. Mario himself remained pleasantly astonished by his own familiarity with those tunes. The inspiration he got from singing them moved himself, along with the other co-authors to lay down the track “Gig”, clearly of American derivation, Cole Porter style. In the past few years Mario collaborated with Alessandro Magnanini (Was-A-Bee), multi-faced musician as well as excellent arranger. With Alessandro, Mario co-wrote two authentic gems “No Mercy For Me” and “This Is What You Are”. The latter was released as single and licensed on various compilations, gaining enough success. Whilst “No Mercy For Me” reveals Mario’s true soul of a crooner, “This Is What You Are” went on air in U.K.on heavy rotation in Norman Jay’s program Giant 45 for BBC London. Whereas in Italy was programmed by RMC and later became the music to the network’s corporate TV commercial. Another unreleased track is “Never Die”, wrote by Marco Bianchi (already part of duo Fedreghini-Bianchi, as well as The Invisible Session), produced on the blueprint of “This is What You Are” yet a fine piece of vocal jazz with fascinating harmonies and captivating solos. Tributes to rock-blues, soul-blues and rhythm-blues follow respectively in the shape of “I Can’t Keep From Crying Sometime” by Al Kooper, a ¾ on the trail of Deirdre Wilson Tabac where Mario’s soulful passionate signing shines throughout the song; “I’m Her Daddy” originally by the one and only Bill Withers and “No Trouble on The Mountain” by L.C Cook, another marvellous tune convincingly covered by Mario’s unique voice. Quite interesting is the version he sang of “A Child Runs Free” a modern Bossa in perfect Schema style, just like the samba “Rio De Janeiro Blue”. High Five Quintet When the producer offered Fabrizio Bosso to arrange and perform the pieces in this album, he accepted enthusiastically. He suggested to involve his band and to leave the arrangements of the tracks to Luca Mannutza and Pietro Ciancaglini. High Five front-line is comprised of Fabrizio Bosso on trumpet, winner of important awards in the category young Italian talent (Django d'Or 2002 and Top Jazz 1999); Daniele Scannapieco on tenor sax, winner of Django d'Or 2003, esteemed on the international jazz scene, courtesy of his collaborations with Dee Dee Bridgewater and Henri Salvador. Luca Mannutza, Pietro Ciancaglini and Lorenzo Tucci,respectively on piano, double bass and drums, form a solid rhythm section. Strong and with an excellent interplay; capable of creating articulate patterns along with refined accompaniments where the two solo players can best express their flamboyant skills. Even though High Five have released yet only two albums (for the label Via Veneto Jazz), they encountered a big success in the most important jazz festivals like, Paris Jazz Festival, Umbria Jazz, Brianza Open Jazz, Clusone Jazz Festival and Teano Jazz. Also the singles musicians career proves their artistic relevance: Fabrizio Bosso deftly sways from pop to collaborations with artists like Phil Woods, Enrico Pieranunzi and Franco D’Andrea; Daniele Scannapieco, coming from a classical background, collaborated with jazz musicians of notorious international fame, amongst whom Maria Pia De Vito, Stefano Di Battista, Giovanni Tommaso, Tony Scott and Roberto Gatto; Luca Mannutza boasts collaborations with artists like Paolo Fresu, Emanuele Cisi, Maurizio Giammarco, Bebo Ferra and Steve Grossman; Lorenzo Tucci instead, shared the stage with artists the likes of Giovanni Tommaso, Maurizio Giammarco, Stefano Di Battista, Dado Moroni, Flavio Boltro, Rosario Giuliani e Piero Umiliani; although Pietro Ciancaglini is the youngest among the High Five, he can boasts relevant artistic collaborations: from Nicola Stilo, to Kenny Wheeler, from Lee Konitz to Rita Marcotulli, from Amedeo Tommasi to Claudio Roditi. Together or individually they gave birth to some exciting performances, both live as well as in studio, for artists such as Schema Sextet and Nicola Conte. And now, Mario Biondi. High Five are able to play Jazz in a way that is instinctive; they perfectly adjusted to this production in a natural way, making this album a very pleasant listening.
Italiano: Sembra che il bisnonno fosse un pittore e che abbia affrescato il Palazzo di Giustizia di Catania. La nonna, in arte conosciuta come Tina Adolfi, cantava in teatro e per la EIAR. Il padre, Stefano Biondi, era un cantautore popolare siciliano. Grazie a lui, Mario a 12 anni inizia a cantare in giro per la sua Sicilia, dapprima come corista in chiesa, poi nella prima piazza, a Giarre, davanti a migliaia di persone. Qui partecipò a due edizioni del Festival della canzone siciliana classificandosi pari merito al terzo posto. Ebbe anche un'esperienza come figurante lirico presso il teatro massimo Vincenzo Bellini di Catania. Iniziò nell'88 la gavetta professionale nel famoso locale "Tout và" di Taormina, dove fece da spalla a Franco Califano, Peppino Di Capri, Fred Bongusto, artisti già di gran successo ed un Fiorello ancora agli esordi; ebbe inoltre la fortuna di cantare al fianco di quel genio di Ray Charles. Qualche anno dopo fece il suo esordio artistico con la compagnia musical di Tony Cucchiara a "Gran prix", programma di RAI 1 trasmesso anche in mondovisione. In seguito si trasferì in quel di Reggio Emilia, continuando la carriera solista nella musica dal vivo e come turnista in studio. Ha cantato come corista per Gianni Bella, Andrea Mingardi e Aida Cooper. Dal vivo si è esibito anche per Marcella Bella e con il suo gruppo i Mario Bros. Ha all'attivo circa 7 dischi dance con diverse etichette, l'ultimo per la Warner Bros. Ultimo, ma non in ordine di importanza, ha partecipato al Gospel festival di Castel Brando insieme ad eccellenti cantanti fra i quali la bravissima Cheryl Porter.
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