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The TOS.CD was initially only supposed to be a one-off, and released only in a limited number. But the amount of high quality music who was sent to Vidar Hanssen during the work with the compilation convinced him to go further. So the release of the TOS.CD launched the label Beatservice Records. A licencing deal was signed with Sonet for distribution in Scandinavia.

A string of 12" releases followed in 1995/1996 through the Dutch company Rhythm Distribution, and the full length CD from Mind over MIDI was picked up by Voices of Wonder in Denmark for distribution outside Norway.

The collaboration with Voices of Wonder in Denmark was extended in 1997, into a general manufacture and distribution deal. In the autumn of 1997, the first Arctic Circles compilation was released, serving both as a Beatservice label compilation, and a tour-de-force of the so called Arctic ambient/electronica scene, with exclusive tracks from the leading norwegian ambient and electronica artists. This later evolved into the Arctic Circles trilogy.

The following years, Beatservice Records expanded both in the number of releases and artists, but also stylewise. The electronica style was further expanded with artists like Information, the house style was explored through Motion Control and the Dusty & Dirty Thangz compilation, and we tested out a drum'n'bass release with the debut album from the duo Teebee & K, later to be established DJ's/artists on various lables around the world. Sternklang represented the jazzy and funky trip-hop style with his two albums, and the classic ambient style was represented by Circular. The Norwegian electronic scene in general, and Beatservice releases in perticular also got more and more recogniniton abroad, through the distribution network of Voices of Wonder in Denmark.

In 2001, Beatservice signed the most successfull act, Xploding Plastix. Their debut album "Amateur Girlfriend Goes Proskirt Agents" was very well received worldwide, and is by far the album that has been selling best on Beatservice Records.

In the 00's, Beatservice evolved more into the pop-electronica territory, with bands like Slowpho, Fenomenon, Cinque Cento and last but not least Flunk, who is the current biggest success on Beatservice. But still with the electronica "oldtimers" like Mind over MIDI and Aedena Cycle/Kolar Goi releasing new albums. The late 90's/early 00's Norwegian house-scene was explored through the Prima Norsk compilation, a trilogy that has showcased the deephouse and the present space disco scene mainly in the capitol Oslo.

From 2002 and on, Beatservice have also been the Scandinavian home for Biosphere.


After several years with far to many releases for a label (still) run on the side of full time "normal" job and family life, label boss Vidar Hanssen decided to slow things down in 2006. The number of releases where cut down to about 3-4 albums a year, and the artist rooster where also cut down. At the moment (winter 2007), it looks like Beatservice will focus more on leftfield electronica, with a few pop-electronica releases too.


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