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Clearly our most anticipated record release of the year, Ubiquity proudly presents Greyboy?s first album in three years. Entitled "Soul Mosaic,? this brand-new full-length was recorded 10 years after the release of "Freestylin'," the ground-breaking first Greyboy full-length album for Ubiquity (which to date has sold over 100,000 copies and is the cornerstone of our label).

The tracks crafted into a fourth Greyboy album include groundbreaking territory for the Southern California based producer/DJ. For the first time he has recorded full vocal songs adding a new soulful dimension to his music. The trademark laid-back West Coast Greyboy beats remain central to "Soul Mosaic" but are now enhanced by collaborations that took place over the past two years.

Vocalists like Bay Area underground favorite Bart Davenport formerly of The Kinetics and now a solo artist on Paris Caramel records sings on the two sold-out singles "To Know You is To love You" and "Genevieve", cover versions of a Stevie Wonder tune (originally recorded by Syreeta) and Cymande respectively. "Genevieve" was nominated as one of the songs of the year by Radio 1's Worldwide host Gilles Peterson. East Coast based Sharon Jones has made a storming come back with Daptone Records over recent years and also appears on two tracks. San Francisco up n'comer Bing Ji Ling adds a lil' Shuggie Otis folksy soul and guitar while MCs like Mainflo (TVT), and musicians and turntablists like D-Styles and Ricci Rucker (Sound In Color) maintain the hip hop pressure. Rounding out the mosaic are co- producers like the UK-based Quantic and West Coaster Mike Andrews, who recently had a hand in the Christmas #1 spot on the UK charts with a version of Tears For Fears "Mad World" from the Donnie Darko soundtrack.

"I couldn't have done this when I recorded Freestlyin', working with artists from all around the world is one of the beauties of modern technology," says Greyboy.

Working up the rough drafts for "Soul Mosaic" Greyboy recorded parts, solos, and lyrics with guests returning to the lab in his Long Beach home to deconstruct and sift through all the elements. And just like the aesthetic of Killingsworth, the well-known Case Study House architect who built the house which Greyboy is restoring, less is definitely more. In fact the process of restoring the home is not unlike his approach to making music. His mid-century modern building has been altered, remodeled and added onto over the years, Greyboy is currently putting it back the way it was supposed to be.

"I constantly found myself stripping back the amount of musical layers recorded in session and even the tools I use to make the music,? explains Greyboy. "I am a collector of sounds and objects, but I really only like a few things that are very good not a bunch of stuff that's just OK - it's definitely about quality, not about quantity..." he adds.

Greyboy warns people ahead of time that he will be radically changing tracks after studio sessions are over. However, his time with guest artists very much shapes a tracks final outcome. The cover versions on this album were ideas he became really enthusiastic about because of who he was working with and the mood they arrived at during studio sessions.

A decade ago "Freestylin'" became a surprise underground hit, it was a building block of the early acid jazz movement and still holds cult status today. Since then Greyboy has released the equally jazz-based instrumental "Land of the Lost" and the soundtrack and hip hop inspired "Mastered The Art," which featured musicians and MCs in a prelude to the "Soul Mosaic" album.

Greyboy has recorded with AG (Showbizz and AG), and the Greyboy Allstars (whom he helped put together and produce). His music has been featured in movies like Get Shorty, Celtic Pride, The Kelly Slater Surf Pro video game, Budweiser commercials, and he was handpicked to provide a mix CD for DC shoes in 2003.

Over the years Greyboy has DJ'd in Japan, Europe, and across the USA. His largest DJ gig was to 5000 people in the countryside outside of Rome, but throughout the summer of 2003 he played to over 20, 000 people a night on tour with Ben Harper and Jack Johnson. His DJ philosophies have never changed, he practices to stay technically on top of his game but never practices a set for a specific night preferring to put together tunes and based on the vibe at each gig.

Included on the CD version of the album are remixes by Paul Nice (Biz Markie) and Quantic, previously only available on limited edition vinyl. Watch for Greyboy DJ dates in USA, Europe and Japan Spring 2004.


link:
http://djgreyboy.com/logic/


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